Category Archives: review

Artist of the Week: Under

The debut album of San Francisco duo, Under, has been several years in the making, but I must say, it has been well worth the wait! Their inspired self-titled first single was featured in the Chillcast Top 20 Podsafe Tracks of 2006, and this moody tune is still my favorite. While the earlier tracks taken from the Under EP might be the band’s strongest material, the newer songs have a delicate touch that provides a sweetly ethereal counterpoint. Jen Triano’s voice has a vulnerable, unforced quality that feels pleasingly familiar and shines equally brightly in either an electonic or rock setting, which Under balances beautifully on More Pleasant Grey.

Under
“Under” (mp3)
from “More Pleasant Grey”
Buy at iTunes Music Store
Buy from Amie St

Artist of the Week: Vanessa Daou


After an 8 year hiatus, the lovely Vanessa Daou has returned with a delicious new album. Part smooth jazz, part experimental folk – Miss Daou paints an aural portrait of a smoky basement lounge where a sexy poetess performs side by side with a sensual chanteuse. Daou flows effortless between the two worlds of spoken word and song, and we follow along, held in sway by her siren’s call. Listening to ‘Joe Sent Me’ is like coming back to your favorite old haunt to find that time has stood still and preserved the magic of that first time you discovered it there, hidden just below the surface of the busy city streets.

Vanessa Daou

Download “Heart of Wax” (mp3)
from “Joe Sent Me” (Daou Records)
Buy at iTunes Buy at iTunes Music Store
More on this album More On This Album

Lovespirals ‘Long Way From Home’ Reviews

Reviews are still popping up of Lovespirals recent album, Long Way From Home, in partial thanks to the efforts of Ariel PR who helped to push the album when it was released this past October 23rd.

Jason Moore of Opus writes:

Ultimately, Lum and Bee are all about creating a mood with their music, a relaxed and blissed-out vibe that should be no stranger to fans of dreampop, chill-out electronica, and atmospheric pop. This is music for both late night sessions and noon daydreams, for both listening to at work when you need to escape the pressure of the day and at home when you simply need to unwind with a good book and a glass of wine.

Miles Klee said in Hot Indie News:

Bluesy slide guitar work sometimes shades over into Santana-like finger-meandering, and vocalist Anji Bee’s layered voice paints bright glaze over already dreamy arrangements. It’s as though the glancing disaffection of 80’s and 90’s dream-poppers has been filtered through an AM radio, a mutation that works by dint of sounding completely natural on an evolutionary view.

From the Green Arrow Radio blog:

More than melancholic music, there is a sense that they traveled with you on similar & familiar roads with the radio tuned to the same left of the dial station in the middle of wherever. After nearly a decade of artistic collaboration between singer/songwriter, Anji Bee, & multi instrumentalist & producer, Ryan Lum, it is no wonder that they have managed to put together an album of answers to questions yet asked with a subtle sultry sense of sound security.

The Celebrity Cafe‘s Ray Anderson mused:

Empty and sad, but of full of emotion, their album Long Way from Home is medicine for those that dig the alternative. How can you take a gut-wrenching classic like “Motherless Child” and make it sadder? Let the “Lovespirals” get a hold of it. It’s easy to fall into the loose, country-tinged groove of “Caught in a Groove” and let your soul be taken for a ride. By the time the “upbeat” “Lovelight” comes on, you won’t mind being “A Long Way from Home,” and I think you’ll want to stay there.

Have you read or written a great review of Lovespirals? Then post a link here, by all means!

First Review of Chandeen ft. Anji Bee

The first review of the upcoming Chandeen album, Teenage Poetry was recently posted on the band’s MySpace page:

Teenage Poetry is a long awaited jewel, a breathing, timeless work that rewards the patient listener with a moving, tear-inducing “hidden track” featuring Anji Bee of Love Spirals Downwards. It is lovely that such music is still produced today!” – Ecki Stieg

Some readers are probably scratching their heads wondering who this Love Spirals Downwards is, so I’ll fill you in; that was the original name of Lovespirals when Ryan founded the band in 1991 with former vocalist, Suzanne Perry (who would surely balk at my name being linked to the pre-2000 history of the band). In fact, only 1 song with me has been released as “Love Spirals Downwards” and that was a remix we did for Claire Voyant in 2000, so my vocals weren’t even involved — just my mad mixing skills. 😀

In any case, a very positive review, and one which makes me anxious to hear the rest of the album for myself. Teenage Poetry is due out March 28, 2008 on Chandeen’s own Kalinkaland label.

Moosefrog Review on GratisVibes

Posted on GratisVibes September 8th, 2007 by ikram

To coincide with the interview with Lo-Kiwi, I’m reviewing one of their releases, “Adrift” by Finnish duo Moosefrog. Adrift is a follow-up to the “Come” EP, which was the first release of the Lo-Kiwi label.

After an initial listen, ‘Adrift’ sounds unmistakeably like a throwback to the trip-hop era of the mid to late 90s, although its clear that Moosefrog have updated the template and the sound for the 21st century! If you liked Morcheeba, Thievery Corporation or other acts in that oeuvre, you’d definitely enjoy this album!

This stylish album has a alluring, sensual, yet dark and brooding quality to it. Maybe not as dark as Portishead but not as cheery as Hooverphonic were in their later days. The highlights include Anji Bee’s vocals on two of the tracks on this release. Anji (from the band Love Spirals Downwards) reminds me of Sade’s sultry voice. In fact ex-MTV VJ and well known podcasting personality Adam Curry calls it “the sexiest voice in podcasting”. Yes thats right, Anji does podcasts as well!

Definitely a release for all those skeptics who still think that the netlabel scene isn’t producing quality.

Download “Adrift” by Moosefrog FREE

Review of Hungry Lucy on Mp3.com

Originally posted to RadioSpy, a subsidiary of GameSpy.com

Part of the goth-electronica movement, Hungry Lucy blends the milder elements of darkwave and trip-hop to create a pleasing pop sound with spooky undertones. In the vein of Switchblade Symphony and Claire Voyant, the band’s songs are carried by strong female vocals atop a bed of melancholic electronics and slow-to-mid-paced shuffle beats.

Hungry Lucy vocalist, Christa Belle, has a sultry but somewhat restrained style that really shines when well-produced (as in the smoky number “Journey”) but falters a bit when left more exposed (as with the Darkroom collaboration “Unhuman”). Her voice has a distinctly youthful quality, and the numerous glamour shots provided at the band’s site reinforce this impression. Could baby-faced sex pot Christa be goth’s answer to Christina Aguilera?

Hungry Lucy is currently offering a sampler CD via MP3.com’s Digital Automatic Music, or DAM, system. The songs are from a full-length album underway, to be titled Apparitions. Two of the EP’s four tracks are available as free downloads: “Bound in Blood,” an evil-tinged Industrial slow rocker, and “Journey,” a dreamy piano-driven number with heavenly vocals. The remaining tracks — “Watcher,” a more minimal but surprisingly catchy song, and “Cover Me,” a Peter Gabriel-esque track with a different vocal feel than the others — are offered as streaming files.

Also on the MP3.com site are two songs not featured on the DAM CD. Of the two, “Unhuman” is the least goth, offering up a jarringly funky side instead. The other, “Alfred,” is a sweet little duet between Christa and bandmate War-N Harrison (also a member of the electro-industrial outfit Fishtank No. 9), about an otherworldly love-interest. If any of these tracks make you hungry for more, the band’s independent Web site provides links to pages on MP3.com competitors Riffage and Vitaminic, where visitors can gain access to two additional free downloadable tracks, “Watcher,” which is only offered as a streaming file through MP3.com, and “Stretch,” which further diversifies Lucy’s electronic sound by adding folky acoustic guitar strumming and record scratching.

While not overly energetic, Hungry Lucy still makes music that’s much perkier, instrumentally, than your traditional gothic fare, though the band’s songs lyrics do deal primarily with death, ghosts, blood and the shadier side of life. Were it not for such lyrical subject matter, the “goth” label might not even come to mind; the music itself isn’t as suggestively dark as all that, nor are Christa’s rather innocent-sounding vocals. There seems to be a trend in darkwave circles toward a certain kind of female voice, one which hearkens back to the more ethereal styles defined by singers such as Suzanne Perry (Love Spirals Downwards), Lynn Canfield (The Moon Seven Times) and Juliana Townes (Area). With Christa singing lead, Hungry Lucy is at the forefront of this revival.

The band seems to be updating its site often while working on its debut CD, so it’s entirely likely that new songs may be available for download soon. Hungry Lucy should find wide appeal within the goth, electronica and alternative pop scenes thanks to the genre-agnostic format of the online music marketplace. Heck, with a face like Christa’s, the band could even open up a new area in the teen sensation market if it finds the right management. After all, if darksters Marilyn Manson and Trent Reznor can be accepted as sex symbols, what’s to prevent a cute little goth girl from rising to similar stature?

Anji Bee | June 6, 2000

Anji Bee is a freelance writer and musician living in Los Angeles.

Review of Aslan’s “Son” DAM CD (mp3.com)

“Aslan’s sun is rising, thanks to Internet support from the drum n bass community” 

Many people fear that free music on the web isn’t worth much more than that. Often times I agree, but every now and again I’m proven wrong by someone truly exceptional making their way via the medium of the internet. Aslan’s is one such artist. 

I first came into contact with Aslan’s through posts to a news group run by Chicago-based forwardbound.com, a site dedicated to the bands and labels of atmospheric drum n bass. Taran, of Aslan’s, regularly posts links to his newest tracks, usually hosted by ironcladmindfloss.com (a site that he and friends have created as an artistic outlet for musicians, poets and fine artist alike.) He began putting his songs on the more infamous mp3.com just a few months ago, as a more reliable way to make his music available, and has been rather pleased with the results. 

Already, the mp3.com site has logged over 250 downloads/streamed plays of mp3’d tracks from his upcoming album (available on their own DAM system by the time of print), something Taran feels he has Forward Bound to thank for. Fellow producers and DJs from the Forward Bound list have been very supportive of his work, lending criticism and critical contact information to the project. Several companies and individuals have expressed interest in releasing vinyl or pressing dub plates of Aslan’s songs, which is something Taran is quite excited about. 

Having just begun his dnb production career a scant 2 years ago, he couldn’t be more happy to have caught the attention of a sometimes fickle audience. But, more than “the list,” Taran has nothing but good, solid music to point to for his success. I would classify his music as straddling the line between Warp, which caters to the avant garde Intelligent Dance Music set, and the primarily atmospheric Drum n Bass focused Good Looking Records’ sounds — including some of the best aspects of each. With intelligent drum programming and atmospheric toppings, Aslan’s is a treat for both the mind and soul. 

“Falling Vast,” one of the most recent songs added, was the first to capture my imagination. With it’s catchy bassline and samba-esque percussion, I soon found myself grooving to the beat and nodding my head in time. Quickly stealing my attention, however, was “Placebo,” with it’s moody keys loop and punchy rhythm. 

More moody, even, is “Eldila,” which reminds me somewhat of electronic innovator, Plaid. A lovely, wispy melody (a harp, perhaps?) is juxtaposed over a mechanical brushed-sounding drum beat, a flute melody, occasional samples of waves, bird calls, and — of all things — old time western pistol fire, plus a strange sub-basey clicking sound that’s the oddest touch of all. This song is truly magical in it’s ability to whisk one away to a dream like state, where all such disperse elements spin a cohesive story. 

“Eustace,” which apparently brought Aslan’s to the attention of the powers-that-be at mp3.com who choose the featured artists, is a slightly heavier number, with a nice ambient breakdown halfway through and foot-tapping percussion throughout. The last of the free tracks offered is “Mother Monarch,” one of the slower songs, with an odd groove and quirky sounds, one of which sounds suspiciously like a dog bark. 

The final 3 tracks of the album are also definitely worth collecting, if you’ve enjoyed the other 5 tracks Aslan’s has generously offered on mp3.com. (but you may want to check out the ironcladmindfloss site for additional tracks, if you know what i mean…) “Pan2” is a funky downbeat song with oodles of ambience that you won’t want to miss. “The Yard” has the trippiest beats and silliest melodies of the bunch, placing Aslan’s more firmly on the side of IDM than dnb. “Dragon Spirits,” may be the weakest song, but still plenty enjoyable as well. 

“Son” is a strong first effort for this young talent from Indiana, and I believe it will make a nice launching pad for Aslan’s future in dnb and IDM. Be sure to check out these tracks while they are still available to you through the graces of artist-based technology on the internet. 

[Originally posted to RadioSpy, a subsidiary site of GameSpy.com]

Review of Shape Shifter UK on Riffage

Shape Shifter UK on riffage.com

I was recently turned on to riffage.com, the latest downloadable mp3 site on the web, through a bandmate. Fearing “riffage” was an allusion to 80’s Heavy Metal, I was a bit hesitant to check it out. My doubts were soon to put to rest, however, as I saw that Riffage had a contemporary look and feel, with colorful techno-styled graphics (think orange and purple), lots of embedded Flash files, front page feature stories, and constantly updating content. 

There were a plethora of navigational choices from the entryway, making my first contact with the site almost daunting, but I decided to begin with what seemed the obvious choice; “Get Music Now!” This was where I ran into the Featured Artist Section, which highlighted Shape Shifter UK as the Electronic/Techno artist for the period. As he also had 4 tracks included on their Electronic Top 40, he seemed a promising artist.

I quickly downloaded the 7 free mp3s listed, with little or no trouble. However, I kept receiving error messages when I attempted to purchase any of the other 4 tracks. Thinking that the mp3s might also appear on the band’s official home page, I checked out the Band Info Section and clicked on a link which turned out to be an mp3.com page. There I located a free download of one of the purchasable Riffage tracks, plus 3 other free tracks which weren’t listed at Riffage. Now armed with 10 free mp3s, I had a healthy 58 minute playlist –including 6 of the 10 tracks which appear on the Shape Shifter UK cd entitled “Fears and Emotions” (currently available only as a DAM cd on mp3.com).

In Paul Sumner-Williams own words, Shape Shifter UK “cover{s} the spectrum of the underground dance scene {with} a blend of Techno, House, Breaks, Drum n Bass and Ambient.” I would have to agree with this statement, but further clarify that the type of House music Sumner-Williams writes is generally of the Trance variety, unfortunately my least favorite type. Shape Shifter’s songs are never overly long, clocking in at roughly 6 minutes on average, and the compositions seem more listening oriented, than club focused. Still, I could easily imagine hearing some of the more banging Techno tunes — “Fires of Hell” and “Wobbly Ground,” in particular — or even the Progressive track, “Illusion,” at a rave.

I found his Breaks and Jungle-influenced songs to be pretty enjoyable on the whole, having a fairly ambient bend and laid-back tempo to them. There are traces of Techno stylings which makes me hesitate to call them Drum n Bass, as he does. I’d almost call them Intelligent Jungle, because of the bleepy sounds he favors, but the programming isn’t as intense as say, Photek. A few tracks are almost neatly split between a Progressive and Breaks/Jungle feel, particularly “The Snake Charmer” and “Believe in Me.” This discussion points to Sumner-Williams’ statement that he’s “trying to break the mold of commercial dance music” by blending the various genres together, and in so far as that goes, he is quite successful.

My favorite tracks would have to be “Introduction to the Future,” which is an appropriately spacey number with nice pads, a catchy bleepy synth lead and deep piano line, and “Distant Voices,” which features an eastern-inspired female vocal loop and a sample of thunder claps over a slow sweeping analog lead and thumpy bassline. “Making Sense of it All” is also a catchy tune, with spastic breaks and a rolling bassline. “The Haunting” has some nice percussive elements as well, but I wasn’t as excited about the synth lines or sounds.

I should also mention that I was impressed by the sound quality of the mp3 files themselves, being very clean and of a good volume level. 

Over all, I’m happy to have discovered both Shape Shifter and Riffage, and look forward to monitoring the progress of both as this new age of technology advances and brings us in closer contact with artists via the web.

 

[Originally posted by RadioSpy, a subsidiary of GameSpy.com]

The Linked Dreams of Lonely Moons V/A Review

People generally don’t seem to have much respect for taped music, but this is one cassette-only release that’s certainly worth looking into. Of course, being the rare little gem that it is, you pretty much need to know that it exists before you can secure yourself a copy via mail order.

Vuzh Music is run by c. reider, who has been involved in the mail art and tape exchange scene for years. This is a fairly new endeavor for him, and I believe this is the first release he’s done with other people’s music. Before Vuzh was begun, he released several cassette-only albums of his own material, lovingly dubbing each cassette one at a time as the orders came in. He also has had his music released by a number of other cassette-only labels, which likely gave him the idea to finally start his own.

the linked dreams of lonely moons comes in a fetchingly understated, but gracefully hand-painted tape jacket with hand dyed cloth labels. Undoubtedly each tape is also hand dubbed, but the sound quality is clean enough. The tape itself is an hour long, featuring “a handpicked selection of the underground’s finest music,” as Vuzh puts it in their ad.

c. reider sent out letters to his favorite independent music makers to request their inclusion in the project with exclusive cuts, keeping the theme of the tape in mind. In two years time, he had complied a nice variety of acts, with a fairly smooth transition between songs. Largely instrumental, the tape glides from one track to the next, weaving a spell of strange, melancholic atmospheres with tinges of darkness and undertones of the disturbing.

The prize offering of the tape is a collaboration with Jarboe (of Swans fame) and Brian Castillo, called Phrenz-C. Their track, “Vomit Veritas (v.2)” is the scariest offering of the bunch, with Jarboe’s despairingly bleak spoken word over an eerie backdrop of distorted guitar noise and piano. This tape is sure to be a collector’s item for the inclusion of this track alone.

The second best-known act would likely be Dust, which is a side project of Lycia, with Mike Van Portfleet and John Fair. Unfortunately, this wispy little guitar number blows by in less than a minute. But it’s a beautifully brief tease of a song.

c. reider’s solo project, Luster, provides a strong vocally-centered song with wonderfully simple, but emotional, bassline and guitar riffs. The drum programming is subtle, but driving, and I might hear some understated keyboards and noise mixed into the background as well. This is one of Luster’s melancholy pop masterpieces, to be sure.

Luster also collaborates on one track with Eyelight, which is a one woman project consisting solely of voice, as I understand it. This is one of the longest songs here, meandering along with Jennifer’s lovely vocal textures and c. reider’s ambient keyboard textures, slowly building steam.

Then there’s Datura, which is how we came to know about this cassette, being my and Justin’s band. Of course, it’s hardly fair for me to critique this cut, but I can say that c. reider told us it was one of the more structured and lively songs of the compilation. I would say it’s just a bit more pop than Luster, falling further to the melodramatic than melancholy side of sad.

Other acts include experimental noisesters The Tall Bald Grandfathers, from Massachusetts, dream droney The DrowningBreathing, from Louisiana, and two foreign artists I’m not familiar with, Kirchemkampf and Klimperi (who do another song under the name Deleted).

Over all this is a very interesting cassette which grows on me more and more with every listen. I’ve found it makes for an interesting background while I’m puttering about the house, being on the computer, reading a book, or simply dreaming out the window with eyes half closed, thinking of other times and places.

Vuzh Music / P. O. Box 1204 / Lyons, CO / 80540-1204 / USA

— Review by Anji Bee of The All Purpose Nuclear Bedtime Story

UPDATE: this album is now available via Internet Archive

Dewdrops Reviews Ravensong ‘Exorcism’

With Dewdrops Fanzine, you get not just one, but TWO reviews! Check out what Brant and Pat had to say about about the newly released Ravensong cassette.

The first song on this demo tape will quickly have you doing a double take. And you thought you had all the songs Tones on Tail ever did… Seriously, “The Calling of Bacchus” has the same odd, playful melody in minor chords characteristic of that post-Bauhaus, pre-Love and Rockets band. The vocals are even creepy in a Peter Murphy kind of way. I’d welcome more in this style, but the rest of the tape mostly dabbles in electronic ambiance experiments, phantasmagoria (what else would you expect from the title?), and the supernatural aspects of Twin Peaks (lots of samples from the TV show). Some of their influences that become notable later obviously include O Yuki Conjugate, Lycia, and Dead Can Dance. Nothing wrong with that at all!

7 lilies – bn


Dark gothic chants or Friday the 13th, Part 18 incidental soundtrack music? Perhaps a little of both as they come together in a rather unsettling blend of foot-tapping/demon summoning fare. These are the ruminations of one Justin Johnsen, whom I envision as a guy with several keyboards and a walk-in closet full of black. I do have to hand it to him, though, because he has the distinction of being living proof that Peter Murphy lives! And can Justin write haikus and sonnets that not only comprise the entire lyrics of “Exorcism,” but fit amazingly well with the music? Yes, just call him the Master of Meter from Hell! This brings a new meaning to the term “iambic penta(gon) meter.”

“The Calling of Bacchus,” from the first listening, conjured visions of walking through a dark, cold forest and approaching a strangely bright bonfire where animals, women and men dance in an arcane ritual. The really odd thing is that I envisioned all this before reading the lyrics, which just happen to be talking about some of those very same elements.

“The Jackal” is a carnival ride in the dark, with more than just a hint of Tones on Tail. “The Hanging” and “Lament for Ileysia” combine metallic horror, sirens and synths. “Capuchin” sounds like George Harrison doing Halloween’s soundtrack, while “The Long Road to Bellgrave” reminds me of Ryuichi Sakamoto doing the same. And to top it all of, “Into the Black Lodge” drags us back to the set of Twin Peaks for another bout with the Dark One, this time with tons of samples straight from the last episode of the series. Gothic? Umm, oh yes, I think so…

8 lilies —pm